The importance of the sound track

The music of cinema is good if you are useful. If you are lazy, else you serve the needs as the film; she can be very good like music, but mailbag or very bad like movie music. And you give yourself the paradox that they are us not much of times than a scene or a character is in need of a bad music to work. In this case, we would be in front of a bad music that is good moviely.

The musician of cinema does not limit herself to the very fact to get musical in the movies, but to make of her a vehicle of story, of explanation, to contribute things that the own film cannot yield and that, without them, they would get less or worse explained. That's why, the big movie composers are, above all, big moviemakers, and in many, many films live together two simultaneous hyphens: The literary and the musical.

Both use to be compatible among themselves, but also it can come to pass for them to be incompatible, that what the literary hyphen express be contradictory for the musical. A basic, elementary example: If we have a good character, kind, exemplary, faultless- behavior citizen (in the literary hyphen ) and we put a sinister music, that you express danger ( in the musical hyphen. In case of conflict, the music always wins. Always. The onlooker will believe before the musician than to the rest. That is a tool to can of an incalculable value.